Production
Theatre work is rarely just one job. I produce, design sound and lights, program QLab and DMX, and write tools when the production needs something the rig cannot do. Stage management taught me what every other role actually needs to keep a show moving.
Threshold Theatre Collective · Spring 2026
ClosedThreshold's first full production, in a found space, on a budget. I ran the production side from planning through strike and programmed the show in QLab 5, including ten Philips Hue practicals that took cues like real fixtures through a bridge I wrote for the run. I also created a robust SFX system for simulating thunderstorms, transformations, and overall spookiness.
Lighting
The creative team wanted practicals everywhere: street lamps, desk lamps, wall sconces. Philips Hue bulbs are cheap, wireless, and can (with the right programming) flicker like candles. They also cannot hear a cue stack. QLab speaks ArtNet and DMX; Hue speaks a cloud-style API.
A Python bridge that listens for ArtNet from QLab on UDP 6454 and turns each DMX channel into a Hue V2 API call over HTTPS. Ten fixtures, each on its own channel. Fast cues use Hue's own transition timing so the bridge never floods its rate limit; slow fades step through intermediate DMX values so they look like dimmers, not smart bulbs catching up. The candle flicker stays running underneath every change.
The operator hit GO and the practicals fade, snap, and hold with everything else on the rig. No extra hardware, no console, and the whole thing moves between venues with dynamic IP discovery.
DMX 6454 · 10 fixtures · native transition
Rooftop Musical Society. Cut to show the lighting design.
Rooftop Musical Society. Cut to show the production design.
Next production
Threshold Theatre Collective · Announcing soon
In developmentLIGHTING DESIGN · SOUND DESIGN
Threshold's next production. Details to be announced.
Jekyll & Hyde
Threshold Theatre Collective · Spring 2026
ClosedProducer and production manager · Lighting programmer
Threshold's first production. Produced, programmed, and lit with a bridge of my own.
The Wild Party
Rooftop Musical Society · April 2024
ClosedSound design · Lighting design
Sound and lighting design and production management.
Island Song
Rooftop Musical Society · May 2023
ClosedStage manager · Sound design · Lighting design
Stage managed the run and designed the sound and the lights.
Hair
Rooftop Musical Society · November 2022
ClosedSound design · Lighting design · Multimedia design
Sound, lighting, and the multimedia elements of the production.
Into the Woods
Rooftop Musical Society · October 2019
ClosedSound design · Lighting design
Sound and lighting design.
Spring Awakening
Rooftop Musical Society · May 2019
ClosedSound design · Lighting design
Sound and lighting design.
Founding member · since 2018
An immersive company that started on a Brooklyn rooftop and now works across the Hudson Valley and the city on the idea that theatre can happen anywhere. I have designed sound and lights for every mainstage production since the beginning.
Founder and VP, Marketing and External Affairs · since 2025
Immersive and environmental theatre in found spaces, with a queer sensibility. Produced and programmed its first production.
Teaching
A one-hour workshop on DMX lighting and QLab for motivated beginners, taught for Threshold's fall and winter season. Crew who understand the system run better shows.
Jekyll & Hyde
Spring Awakening
Hair